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Invertir en Arte - Roy Lichtenstein, Fish and Sky, from Ten from Leo Castelli portfolio, 1967
Invertir en Arte - Roy Lichtenstein, Fish and Sky, from Ten from Leo Castelli portfolio, 1967_detail
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Invertir en Arte - Roy Lichtenstein, Fish and Sky, from Ten from Leo Castelli portfolio, 1967
Invertir en Arte - Roy Lichtenstein, Fish and Sky, from Ten from Leo Castelli portfolio, 1967_detail
Home Prints Lichtenstein, Roy Roy Lichtenstein, Fish and Sky, from Ten from Leo Castelli portfolio, 1967
Equipo Crónica, Un día en el campo (Serie Composiciones), 1971
Equipo Crónica, Un día en el campo (Serie Composiciones), 1971 2,550.00 € IVA
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Invertir en Arte - Escher, Encounter, 1944
Maurits Cornelis Escher, Encounter, 1944

Roy Lichtenstein, Fish and Sky, from Ten from Leo Castelli portfolio, 1967

7,250.00 € IVA

from Ten from Leo Castelli portfolio, 1967
Screenprint on gelatin silver photographic print to three-dimensional lenticular offset-lithograph
11-1/8 x 14 inches (28.3 x 35.6 cm) (image); 23-5/8 x 20 inches (mount)
Edition of 200 (there were also 25 artist’s prints lettered A through Y)
Signed and numbered in pencil on mount
Published by Tanglewood Press, Inc., New York/Maurel Studios, New York
Heavy wear with scattered losses to the extreme right and upper edges

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Categories: Lichtenstein, Roy, Prints Tags: international prints, invertir en arte, roy lichtenstein, roy lichtenstein 1967, roy lichtenstein fish and sky, roy lichtenstein grabados, roy lichtenstein leo castelli, roy lichtenstein prints, roy lichtenstein screenprints, roy lichtenstein serigrafias, roy lichtenstein ten from leo castelli
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Description

from Ten from Leo Castelli portfolio, 1967
Screenprint on gelatin silver photographic print to three-dimensional lenticular offset-lithograph
11-1/8 x 14 inches (28.3 x 35.6 cm) (image); 23-5/8 x 20 inches (mount)
Edition of 200 (there were also 25 artist’s prints lettered A through Y)
Signed and numbered in pencil on mount
Published by Tanglewood Press, Inc., New York/Maurel Studios, New York
Heavy wear with scattered losses to the extreme right and upper edges. Mounted and framed under acrylic

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